BETACAM
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post cutting betacam preread
This video was produced as part of the European Research Council funded ADAPT project based at Royal Holloway, University of London. For more information about the project visit http://www.adaptTVhistory.org.uk
This footage was filmed in March 2018 at Royal Holloway, University of London in Egham, United Kingdom.
A group of veteran television videotape engineers was reunited with obsolete editing equipment last used in the 1980s, 1990s and early 2000s. The editors’ working practices and memories were recorded using multiple digital video cameras and wireless microphones.
ADAPT (2013-8) is a European Research Council project at Royal Holloway University of London. The project studies the history of technologies in television, focussing on their everyday use in production activities.
ADAPT examines what technologies were adopted and why; how they worked; and how people worked with them. As well as publishing written accounts, the project carries out 'simulations' that reunite retired equipment with the people who used to use it.
Participants in these simulations explain how each machine worked and how different machines worked together as an 'array'; how they adapted the machines; and how they worked together as teams within the overall production process.
www.adaptTVhistory.org.uk
https://doi.org/10.17637/rh.c.3925603.v1 ADAPT (2013-8) is a European Research Council project at Royal Holloway University of London. The project studies the history of technologies in television, focussing on their everyday use in production activities.
ADAPT examines what technologies were adopted and why; how they worked; and how people worked with them. As well as publishing written accounts, the project carries out 'simulations' that reunite retired equipment with the people who used to use it.
Participants in these simulations explain how each machine worked and how different machines worked together as an 'array'; how they adapted the machines; and how they worked together as teams within the overall production process.
www.adaptTVhistory.org.uk
https://doi.org/10.17637/rh.c.3925603.v1
Where's Walter TV : Absolutely glorious. I had that exact edit setup at one of my jobs in the 90's. Cannot recall the last time I heard the term "pre-read." What a glorious find, thanks so much for sharing!!
OldProVidios : Here is a good example of how to use this in production. Each price and cross out was a separate preread edit. 9:50 into the program.
THE MEKON : Fascinating.. I’ve been an avid offline editor for the past 20 years in the UK.
I’ve never actually seen this technique done with a linear suite. And I’ve learned something
I remember the switch from beta sp to digibeta.. and I’d been using non linear systems for years at that point.
That would mean that this technique was still used a lot more recently than I’d have expected.
The channel looks fascinating.. and I’ve subscribed.
CL Goode : I learned editing with deck controllers and VERY slippy non-frame accurate decks... this really brought me back. Wonderful content!
Dani Dögenigt : Did he say you could watch the recorded signal on the tape as you are recording it? With some delay of course, but I have been looking for a way to have my machine output the recorded signal on the tape while recording to see the quality of the recording. You can't do that on VHS unless you feed the tape into another machine as a tape loop on reel to reel recorders.
The Betacam SP legacy
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself.
All Betacam variants from (plain) analog recording Betacam to Betacam SP and digital recording Digital Betacam (and additionally, HDCAM and HDCAM SR), use the same shape videocassettes, meaning vaults and other storage facilities do not have to be changed when upgrading to a new format. The cassettes are available in two sizes: S (for Short) and L (for Long). The Betacam camcorder can only load S magnetic tapes, while television studio sized video tape recorders (VTR) designed for video editing can play both S and L tapes.
The cassette shell and case for each Betacam cassette is colored differently depending on the format, allowing for easy visual identification. There is also a mechanical key that allows a video tape recorder to identify which format has been inserted.
The format supplanted the three-quarter-inch U-Matic format, which Sony had introduced in 1971. In addition to improvements in video quality, the Betacam configuration of an integrated professional video camera/recorder led to its rapid adoption by electronic news gathering (ENG) organizations.
DigiBeta, the common name for Digital Betacam, went on to become the single most successful professional broadcast digital recording video tape format in history, but now although Betacam remains popular in the field and for archiving, new tapeless digital products have led to a phasing out of Betacam products in television studio environments since as of 2006.
(from Wikipedia)
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#sony #betacam #production
Northern Place Corporation : This similar thing also happened on Betacam (oxide), Digital Betacam, Betacam SX, HDCAM, MPEG IMX and HDCAM SR.
Bryan Caughey : I’m feeling serious nostalgia. I always admired these cameras when I saw them in the field, I’m almost tempted to buy one off eBay for the coolness of them.
HypeCom : Very fascinating, thank you for sharing this with us
Blair Sadewitz : As recently as about 20 years ago, I think I would have been ecstatic to come into possession of one of those machines. I don't know what I'd even do with it now.
Remember when we'd rent VHS tapes to watch? That was still a thing early in this century! Also, I bet that you get e.g. significantly better colors (I was into all this stuff as a young kid, and I stopped caring once the internet appeared, haha) with that than a consumer format; merely comparing the lines of resolution doesn't quite covey how much better that is than VHS/beta.
Martin Männik : Betacam SP (NTSC) has vertical resolution of 480 lines, but 4K video has 2160 lines of vertical resolution, not 4000.
Retro Gear Time : Betacam
Beige-colored plastic returns on another Retro Gear Time!
It may be called Betacam, but it was most certainly the alpha dog when it came to broadcast quality. Keep your fingers crossed for Nick and Dan in hopes that this week's retro gear still works!
2018-02-15-GearTime-Betacam
Alessandro Nucci : Using the Jog Shuttle on a Betacam deck for the first time was one of the things that made you think you were finally part of the important game.
Allan Pavon : Did Dan ever get the tape out?
video99.co.uk : I am using a UVW1800P right now. Complete with jog and shuttle. It came on an optional remote control DSRM-10.
solidaudioTV : The 640x480 resolution quoted here for Betacam SP is incorrect. Lower end UVW decks recorded about 330 horizontal TV lines, while higher end units like the PVW & BVW models could record 360 horizontal TV lines which works out to about 480 horizontal pixels. Effective Betacam SP resolution is about 440 to 480 x 480, but is displayed at 4:3 aspect ratio.
北海道1 : アワーメーターが本当にメーターなのが90年代らしい。
でも、テープのデザインが日本のベーカムと違いますね。
This video was produced as part of the European Research Council funded ADAPT project based at Royal Holloway, University of London. For more information about the project visit http://www.adaptTVhistory.org.uk
This footage was filmed in March 2018 at Royal Holloway, University of London in Egham, United Kingdom.
A group of veteran television videotape engineers was reunited with obsolete editing equipment last used in the 1980s, 1990s and early 2000s. The editors’ working practices and memories were recorded using multiple digital video cameras and wireless microphones.
ADAPT (2013-8) is a European Research Council project at Royal Holloway University of London. The project studies the history of technologies in television, focussing on their everyday use in production activities.
ADAPT examines what technologies were adopted and why; how they worked; and how people worked with them. As well as publishing written accounts, the project carries out 'simulations' that reunite retired equipment with the people who used to use it.
Participants in these simulations explain how each machine worked and how different machines worked together as an 'array'; how they adapted the machines; and how they worked together as teams within the overall production process.
www.adaptTVhistory.org.uk
https://doi.org/10.17637/rh.c.3925603.v1 ADAPT (2013-8) is a European Research Council project at Royal Holloway University of London. The project studies the history of technologies in television, focussing on their everyday use in production activities.
ADAPT examines what technologies were adopted and why; how they worked; and how people worked with them. As well as publishing written accounts, the project carries out 'simulations' that reunite retired equipment with the people who used to use it.
Participants in these simulations explain how each machine worked and how different machines worked together as an 'array'; how they adapted the machines; and how they worked together as teams within the overall production process.
www.adaptTVhistory.org.uk
https://doi.org/10.17637/rh.c.3925603.v1
Where's Walter TV : Absolutely glorious. I had that exact edit setup at one of my jobs in the 90's. Cannot recall the last time I heard the term "pre-read." What a glorious find, thanks so much for sharing!!
OldProVidios : Here is a good example of how to use this in production. Each price and cross out was a separate preread edit. 9:50 into the program.
THE MEKON : Fascinating.. I’ve been an avid offline editor for the past 20 years in the UK.
I’ve never actually seen this technique done with a linear suite. And I’ve learned something
I remember the switch from beta sp to digibeta.. and I’d been using non linear systems for years at that point.
That would mean that this technique was still used a lot more recently than I’d have expected.
The channel looks fascinating.. and I’ve subscribed.
CL Goode : I learned editing with deck controllers and VERY slippy non-frame accurate decks... this really brought me back. Wonderful content!
Dani Dögenigt : Did he say you could watch the recorded signal on the tape as you are recording it? With some delay of course, but I have been looking for a way to have my machine output the recorded signal on the tape while recording to see the quality of the recording. You can't do that on VHS unless you feed the tape into another machine as a tape loop on reel to reel recorders.
The Betacam SP legacy
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself.
All Betacam variants from (plain) analog recording Betacam to Betacam SP and digital recording Digital Betacam (and additionally, HDCAM and HDCAM SR), use the same shape videocassettes, meaning vaults and other storage facilities do not have to be changed when upgrading to a new format. The cassettes are available in two sizes: S (for Short) and L (for Long). The Betacam camcorder can only load S magnetic tapes, while television studio sized video tape recorders (VTR) designed for video editing can play both S and L tapes.
The cassette shell and case for each Betacam cassette is colored differently depending on the format, allowing for easy visual identification. There is also a mechanical key that allows a video tape recorder to identify which format has been inserted.
The format supplanted the three-quarter-inch U-Matic format, which Sony had introduced in 1971. In addition to improvements in video quality, the Betacam configuration of an integrated professional video camera/recorder led to its rapid adoption by electronic news gathering (ENG) organizations.
DigiBeta, the common name for Digital Betacam, went on to become the single most successful professional broadcast digital recording video tape format in history, but now although Betacam remains popular in the field and for archiving, new tapeless digital products have led to a phasing out of Betacam products in television studio environments since as of 2006.
(from Wikipedia)
Subscribe ➡️ http://brodie.bz/YouTube
Features ➡️ http://brodie.bz/Read
Podcast ➡️ http://brodie.bz/Apple
✳️ Spotify ➡️ http://brodie.bz/Spotify
Instagram ➡️ http://brodie.bz/IG
Twitter ➡️ http://brodie.bz/TW
Facebook ➡️ http://brodie.bz/FB
#sony #betacam #production
Northern Place Corporation : This similar thing also happened on Betacam (oxide), Digital Betacam, Betacam SX, HDCAM, MPEG IMX and HDCAM SR.
Bryan Caughey : I’m feeling serious nostalgia. I always admired these cameras when I saw them in the field, I’m almost tempted to buy one off eBay for the coolness of them.
HypeCom : Very fascinating, thank you for sharing this with us
Blair Sadewitz : As recently as about 20 years ago, I think I would have been ecstatic to come into possession of one of those machines. I don't know what I'd even do with it now.
Remember when we'd rent VHS tapes to watch? That was still a thing early in this century! Also, I bet that you get e.g. significantly better colors (I was into all this stuff as a young kid, and I stopped caring once the internet appeared, haha) with that than a consumer format; merely comparing the lines of resolution doesn't quite covey how much better that is than VHS/beta.
Martin Männik : Betacam SP (NTSC) has vertical resolution of 480 lines, but 4K video has 2160 lines of vertical resolution, not 4000.
Retro Gear Time : Betacam
Beige-colored plastic returns on another Retro Gear Time!
It may be called Betacam, but it was most certainly the alpha dog when it came to broadcast quality. Keep your fingers crossed for Nick and Dan in hopes that this week's retro gear still works!
2018-02-15-GearTime-Betacam
Alessandro Nucci : Using the Jog Shuttle on a Betacam deck for the first time was one of the things that made you think you were finally part of the important game.
Allan Pavon : Did Dan ever get the tape out?
video99.co.uk : I am using a UVW1800P right now. Complete with jog and shuttle. It came on an optional remote control DSRM-10.
solidaudioTV : The 640x480 resolution quoted here for Betacam SP is incorrect. Lower end UVW decks recorded about 330 horizontal TV lines, while higher end units like the PVW & BVW models could record 360 horizontal TV lines which works out to about 480 horizontal pixels. Effective Betacam SP resolution is about 440 to 480 x 480, but is displayed at 4:3 aspect ratio.
北海道1 : アワーメーターが本当にメーターなのが90年代らしい。
でも、テープのデザインが日本のベーカムと違いますね。
... 
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