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COMME des GARÇONS Autumn / Winter 2020 - 2021
COMME des GARÇONS Autumn / Winter 2020 - 2021
lau benny : An artistic metaphor for life continuity
Aculturación Sin : Like how Michele doesn’t turn her head rather she waits for the models to pass her to look at the clothing
Team Fox : roba aliena
Robert A. Maxwell : All I see is Michèle Lamy...
Jake Collier : why did they put michelle in that horrible seat she could barley get a view of anything
Denise Decarlo : best part are the socks and shoes the clothes are an insult to women but the fabrics are exquisite
omar m : Thanks
Mad Recital : Some people don't get it, but that's ok. She's not for everyone. I love it and she's one of the best!!!
IIXIXI IIIX : Nothing but awful pile of cloths
Olga Pinto : Não consigo gostar ,não encontro beleza nisto,ainda agora vi a noir , é diferente de tudo mas bonito ,os vestidos são autênticas obras de arte,mas a comme des garsons acho horrível!
REI KAWAKUBO - COMME des GARCONS - RENEGADES OF FASHION FILM SERIES
RENEGADES OF FASHION - NEW 11 PART NETFLIX FEATURE FILM SERIES
See more in this Series at fashionindustrybroadcast.com, sign up and see all the latest episodes as they land. Also please Subscribe to our YouTube Channel by ticking the red box, bottom right.
To the casual outsider the Fashion Industry can appear to be a cauldron of creativity with endless innovation and risk taking, as every new season designers have to forget their past successes and milestones and return alone to a blank canvas, to create their next collection, and this cycle repeats itself every 6 months. Granted there are principles, codes, legends and motifs that inform a designer’s agency, but essentially it’s starting over. But to those in the know, the fashion industry is a also a giant sales machine, grinding out mega-dollars as ruthlessly as Goldman and Sachs. According to the McKinsey Global Fashion Index, the global fashion industry is now worth an estimated US$3 trillion per annum. In fact, not only does it touch just about everyone, but it would be the world’s seventh-largest economy if ranked alongside individual countries’ GDP.
Even if you hold only the most casual interest in the world of fashion, it’s hard to deny the fascinating life stories of every person we have chosen to showcase in this Series.
REI KAWAKUBO
The old guard of fashion despised her; the critics never understood her. But for Rei Kawakubo, founder of the renowned fashion label Comme Des Garcons, that was always the point. For the more polarising a collection was, the more success it accrued. Kawakubo eschewed conventional standards of beauty, ushering in a new era of anti-fashion; a deconstructed wonderland of noir, capable of creating strong, provocative pieces for women with a defiant desire to dress in a way that reflected their own unique sensibilities.
It is a desire for the unique that permeates every facet of her business. In 2004, Kawakubo, together with Joffe and Comme Des Garcons, were credited with originating the pop-up store trend, introducing the label to cities around the globe for less than a year in any given location; once the idea entered the mainstream Kawakubo denounced the idea as tired and ceased producing pop-up stores. A 2008 collaboration with H\u0026M produced similar results. Despite its rampant popularity – the collection produced a near-riot in Tokyo – Kawakubo is reluctant to travel the same path again, going so far as to criticise the fashion industry outright: “I don’t feel too excited about fashion today, more fearful that people don’t necessarily want or need strong new clothes, that there are not enough of us believing in the same thing, that there is kind of a burnout, that people just want cheap fast clothes and are happy to look like everyone else, that the flame of creation has gone a bit cold, that enthusiasm and passionate anger for change and rattling the status quo is weakening.”
Yet the “flame of creation,” as Kawakubo elegantly puts it, continues through the litany of high-profile designers she has influenced through her nearly five decades in fashion; European converts like John Galliano, Martin Margiela and Raf Simons – legendary designers enchanted by the anti-fashion that Kawakubo dragged into the consciousness of couture all those years ago.
Having started CDG at age 27, Kawakubo now 76 shows no sign of slowing down. The designer is still staging at every Paris fashion week presenting her unique brand of high-concept that translates into an estimated $280 million a year commercially. It is a singular dedication to “the work” as she calls it that propels her in the present, with little thought given to her posterity.
Director - Paul G Roberts
Screenplay Adaptation- Paul G Roberts, Jess Bregenhoj
Producer - Paul G Roberts
Assistant Producer - Emily Smith
Original Story - Charlie O’Brien, Renegades of Fashion, Publisher Fashion Industry Broadcast
Narrator - Annalisa Astarita
Director of Photography - Stefan Varvaross-Abdi,
Camera Operators - Jake Bugeja, Rami Slayman
Sound Recordist - Desteny Russo
Editor - Yanisa Boonyawat
To make sure you get all the news on the Renegades of Fashion and more sign up for FIB's weekly newsletter at:
▶NEWSLETTER: https://fashionindustrybroadcast.com/ subscribe
▶TWITTER: https://twitter.com/fibcast
▶FACEBOOK: https://www.facebook.com/FashionIndus
▶INSTAGRAM: https://www.instagram.com/fibcast
▶PINTEREST: https://au.pinterest.com/FIBcast
▶VIMEO: Fashion Industry Broadcast
-----------------------------------------------------------------
▶ALL MUSIC AND SOUNDS USED ARE OWNED BY THEIR RESPECTIVE OWNERS.
▶"Copyright Disclaimer, Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.”
Ajowan : To be different and ahead of time❤️
Aidellane Bekker : I luv darker colors, infusion with splashes off light.
La Ninfa Pimentel : 12:04 Rei Kawakubo confurmed that she is a punk. In her words, she identifies with punk "as a spirit" <3
efghi abcd : it`s hard to understand what they say, they do not articulate. But the video is well done, this brand is still mysterious.
J. Louis V. : The concepts are brilliant but end up being all an unfinished thought lost in a maze of gorgeous fabrics.
laconja1 : Really enjoyed this very creative & Inspiring.
Anthony Galea : SO INSPIRING
DAT BOI : nicely made thank you!
Lejen : I heard Inochi no Namae and Liquid Sunshine. Great taste.
Alexzandria Ashton : Literally brought tears to my eyes, she is so inspiring and my idol.
Comme des Garçons | Fall/Winter 2020/21 | Paris Fashion Week
Find Us On
Like us on Facebook: https://www.facebook.com/FashionFeed16/
Follow us on Instagram: https://www.instagram.com/fashionfeed16/
Follow us on Twitter: https://twitter.com/fashionfeed16
#CommedesGarçons#FW20 #Womenswear #RTW #PFW
Ajowan : Old fashion made to look present for those that do not know this masterpiece is deconstruction
Fxck It : Another strange they called art.
J. Russel : First thing I noticed was Walter Van Beirendonck he really popped up in the crowd for wearing colorful fit while majority are wearing mostly black. LOVE.
Xi Liu : It’s not traditional fashion,there’s more art than simply fashion.
Joe Alexandra : I don't get it. Even after reading John Waters' essay on Rei Kawakubo, I still don't get it. Yet both the audience and models manage to keep a straight-face, and the mood is solemn to the extreme.
leo journo : EXELLENT
Panamera Boomin : god damn art already
Laurie Hill : one of a kind pieces like these are inherently sustainable as they are not mass-produced and often make use recycled materials from previous collections.
rei kawakubo since her debut has had a very specific pov to confront very strict and imperialist ideas of how fashion is supposed to look and be worn, so she will never truly make clothes where the intention is to be worn as clothes. she uses these shows to experiment with shape and composition and construction around the body.
you're not expected to like it or even understand it, but there is a very established history of this fashion house that is only a few clicks away. i feel like we should all know by now that fashion has and always will be much more than just clothes
Kylo Ren is an edgelord : Wtf am I watching
Florecita : There are always so many negative ignorant comments at Comme des Garçon runway videos. Don’t be annoying just because you don’t understand what the designing house is about
COMME des GARÇONS Autumn / Winter 2020 - 2021
lau benny : An artistic metaphor for life continuity
Aculturación Sin : Like how Michele doesn’t turn her head rather she waits for the models to pass her to look at the clothing
Team Fox : roba aliena
Robert A. Maxwell : All I see is Michèle Lamy...
Jake Collier : why did they put michelle in that horrible seat she could barley get a view of anything
Denise Decarlo : best part are the socks and shoes the clothes are an insult to women but the fabrics are exquisite
omar m : Thanks
Mad Recital : Some people don't get it, but that's ok. She's not for everyone. I love it and she's one of the best!!!
IIXIXI IIIX : Nothing but awful pile of cloths
Olga Pinto : Não consigo gostar ,não encontro beleza nisto,ainda agora vi a noir , é diferente de tudo mas bonito ,os vestidos são autênticas obras de arte,mas a comme des garsons acho horrível!
REI KAWAKUBO - COMME des GARCONS - RENEGADES OF FASHION FILM SERIES
RENEGADES OF FASHION - NEW 11 PART NETFLIX FEATURE FILM SERIES
See more in this Series at fashionindustrybroadcast.com, sign up and see all the latest episodes as they land. Also please Subscribe to our YouTube Channel by ticking the red box, bottom right.
To the casual outsider the Fashion Industry can appear to be a cauldron of creativity with endless innovation and risk taking, as every new season designers have to forget their past successes and milestones and return alone to a blank canvas, to create their next collection, and this cycle repeats itself every 6 months. Granted there are principles, codes, legends and motifs that inform a designer’s agency, but essentially it’s starting over. But to those in the know, the fashion industry is a also a giant sales machine, grinding out mega-dollars as ruthlessly as Goldman and Sachs. According to the McKinsey Global Fashion Index, the global fashion industry is now worth an estimated US$3 trillion per annum. In fact, not only does it touch just about everyone, but it would be the world’s seventh-largest economy if ranked alongside individual countries’ GDP.
Even if you hold only the most casual interest in the world of fashion, it’s hard to deny the fascinating life stories of every person we have chosen to showcase in this Series.
REI KAWAKUBO
The old guard of fashion despised her; the critics never understood her. But for Rei Kawakubo, founder of the renowned fashion label Comme Des Garcons, that was always the point. For the more polarising a collection was, the more success it accrued. Kawakubo eschewed conventional standards of beauty, ushering in a new era of anti-fashion; a deconstructed wonderland of noir, capable of creating strong, provocative pieces for women with a defiant desire to dress in a way that reflected their own unique sensibilities.
It is a desire for the unique that permeates every facet of her business. In 2004, Kawakubo, together with Joffe and Comme Des Garcons, were credited with originating the pop-up store trend, introducing the label to cities around the globe for less than a year in any given location; once the idea entered the mainstream Kawakubo denounced the idea as tired and ceased producing pop-up stores. A 2008 collaboration with H\u0026M produced similar results. Despite its rampant popularity – the collection produced a near-riot in Tokyo – Kawakubo is reluctant to travel the same path again, going so far as to criticise the fashion industry outright: “I don’t feel too excited about fashion today, more fearful that people don’t necessarily want or need strong new clothes, that there are not enough of us believing in the same thing, that there is kind of a burnout, that people just want cheap fast clothes and are happy to look like everyone else, that the flame of creation has gone a bit cold, that enthusiasm and passionate anger for change and rattling the status quo is weakening.”
Yet the “flame of creation,” as Kawakubo elegantly puts it, continues through the litany of high-profile designers she has influenced through her nearly five decades in fashion; European converts like John Galliano, Martin Margiela and Raf Simons – legendary designers enchanted by the anti-fashion that Kawakubo dragged into the consciousness of couture all those years ago.
Having started CDG at age 27, Kawakubo now 76 shows no sign of slowing down. The designer is still staging at every Paris fashion week presenting her unique brand of high-concept that translates into an estimated $280 million a year commercially. It is a singular dedication to “the work” as she calls it that propels her in the present, with little thought given to her posterity.
Director - Paul G Roberts
Screenplay Adaptation- Paul G Roberts, Jess Bregenhoj
Producer - Paul G Roberts
Assistant Producer - Emily Smith
Original Story - Charlie O’Brien, Renegades of Fashion, Publisher Fashion Industry Broadcast
Narrator - Annalisa Astarita
Director of Photography - Stefan Varvaross-Abdi,
Camera Operators - Jake Bugeja, Rami Slayman
Sound Recordist - Desteny Russo
Editor - Yanisa Boonyawat
To make sure you get all the news on the Renegades of Fashion and more sign up for FIB's weekly newsletter at:
▶NEWSLETTER: https://fashionindustrybroadcast.com/ subscribe
▶TWITTER: https://twitter.com/fibcast
▶FACEBOOK: https://www.facebook.com/FashionIndus
▶INSTAGRAM: https://www.instagram.com/fibcast
▶PINTEREST: https://au.pinterest.com/FIBcast
▶VIMEO: Fashion Industry Broadcast
-----------------------------------------------------------------
▶ALL MUSIC AND SOUNDS USED ARE OWNED BY THEIR RESPECTIVE OWNERS.
▶"Copyright Disclaimer, Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.”
Ajowan : To be different and ahead of time❤️
Aidellane Bekker : I luv darker colors, infusion with splashes off light.
La Ninfa Pimentel : 12:04 Rei Kawakubo confurmed that she is a punk. In her words, she identifies with punk "as a spirit" <3
efghi abcd : it`s hard to understand what they say, they do not articulate. But the video is well done, this brand is still mysterious.
J. Louis V. : The concepts are brilliant but end up being all an unfinished thought lost in a maze of gorgeous fabrics.
laconja1 : Really enjoyed this very creative & Inspiring.
Anthony Galea : SO INSPIRING
DAT BOI : nicely made thank you!
Lejen : I heard Inochi no Namae and Liquid Sunshine. Great taste.
Alexzandria Ashton : Literally brought tears to my eyes, she is so inspiring and my idol.
Comme des Garçons | Fall/Winter 2020/21 | Paris Fashion Week
Find Us On
Like us on Facebook: https://www.facebook.com/FashionFeed16/
Follow us on Instagram: https://www.instagram.com/fashionfeed16/
Follow us on Twitter: https://twitter.com/fashionfeed16
#CommedesGarçons#FW20 #Womenswear #RTW #PFW
Ajowan : Old fashion made to look present for those that do not know this masterpiece is deconstruction
Fxck It : Another strange they called art.
J. Russel : First thing I noticed was Walter Van Beirendonck he really popped up in the crowd for wearing colorful fit while majority are wearing mostly black. LOVE.
Xi Liu : It’s not traditional fashion,there’s more art than simply fashion.
Joe Alexandra : I don't get it. Even after reading John Waters' essay on Rei Kawakubo, I still don't get it. Yet both the audience and models manage to keep a straight-face, and the mood is solemn to the extreme.
leo journo : EXELLENT
Panamera Boomin : god damn art already
Laurie Hill : one of a kind pieces like these are inherently sustainable as they are not mass-produced and often make use recycled materials from previous collections.
rei kawakubo since her debut has had a very specific pov to confront very strict and imperialist ideas of how fashion is supposed to look and be worn, so she will never truly make clothes where the intention is to be worn as clothes. she uses these shows to experiment with shape and composition and construction around the body.
you're not expected to like it or even understand it, but there is a very established history of this fashion house that is only a few clicks away. i feel like we should all know by now that fashion has and always will be much more than just clothes
Kylo Ren is an edgelord : Wtf am I watching
Florecita : There are always so many negative ignorant comments at Comme des Garçon runway videos. Don’t be annoying just because you don’t understand what the designing house is about
... 
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